• Lesson 1: Sculpting the hands
• Lesson 2: Refining the head
• Lesson 3: Blocking out the hair and cap
• Lesson 4: Extracting the jacket

Sculpting hands and faces are the two important lessons you will take away from this module. You will learn how to sculpt a hand in a relaxed pose, starting from the index finger. You will understand head-body proportions and micro details that contribute to an appealing face for a character.

• Lesson 1: Extracting the t-shirt
• Lesson 2: Extracting the pants
• Lesson 3: Starting the boots
• Lesson 4: Adding elements to the boots

We will be modeling clothes in Zbrush. In this module we will learn how to extract different pieces of clothes and how to make sure they are topologically-correct. Our goal is to make sure you can implement this process on any character of your choice.

• Lesson 1: Shoulder plates
• Lesson 2: Creating the weapon
• Lesson 3: Building the kneepad
• Lesson 4: Beauty pass
• Lesson 5: Organizing the file

We're doing all the hard surface modeling in Zbrush, too. Hard surface details of the stylized character we chose for the program are not limited to a weapon, so you will see a variety of hard surface elements covered.

You will learn what makes a truly appealing character and know how to navigate:

• Facial asymmetry
• Perfect profile view
• Proportions of the lips and the face
• Character look and personality from different distances

Whether you are working on a female character or you're modeling a male character, you will know how to masterfully sculpt a face in Zbrush in a way that serves your character best.

There are so many reasons why you should never present your character in a T-pose or an A-pose. By doing so, you will lose an opportunity to showcase the strengths of your project and demonstrate its full beauty. After completing this module you will make an overall pass and add tiny details that will add textures and story to your character.
Remember, you are an artist, and every piece you create is telling a story, so in this module we're taking the most important steps to finishing it.

The first thing you will need to do if you're planning to texture your character is to create UVs for it. You might find some difficulties, so we will go through the whole process and try to address the most common issues and demonstrate how to solve them, too.

In this module you will grab the textures polypainted in Zbrush and give them a final touch by creating additional maps. After finishing character texturing in Substance Painter, you will render in Marmoset.